By: Paul Sexton, Billboard.com London
"It took us 50 years to get from Dartford to Greenwich," said Mick Jagger to 20,000 close friends on Sunday night, at what you might call the lip of the 02 Arena stage. The Rolling Stones were in the process of laughing in the face of logic with an extraordinary, 150-minute celebration of their 50 peerless years.
This was the first of two 02 dates, with a second on Thursday, that have been widely pilloried in the British press for their exorbitant ticket prices. Jagger would soon acknowledge that discussion by looking to the top tiers of the arena and asking "How you doing up in the cheap seats? They're not that cheap though are they, that's the trouble."
For all the controversy, the fact is that you never hear anyone coming away from a Stones gig complaining that they didn't get value for money, and so it was again here. Eventually, that is. Despite some engaging guest performances including the much-reported reunions with former bandmates Bill Wyman and Mick Taylor, the core quartet didn't hit top speed until the show's second half. When they did, they were untouchable.
They were introduced by an irreverent film tribute featuring both "punters" and famous fans like Johnny Depp, Iggy Pop and Elton John, then by two files of black-clad drummers marching through the aisles. Augmented initially only by stalwart companions Chuck Leavell (keyboards) and Darryl Jones (bass), it was a delight to hear the Stones travelling back to their first first year of recording, 1963, to revive their second-ever single, "I Wanna Be Your Man." Dartford rhythm and blues was alive and well again.
Performing under a giant red lip, with a giant video screen behind them and a semi-circular walkway out front to stretch out on, they continued in '60s vein with "Get Off Of My Cloud," "It's All Over Now" and "Paint It Black."
"It took us 50 years to get from Dartford to Greenwich," said Mick Jagger to 20,000 close friends on Sunday night, at what you might call the lip of the 02 Arena stage. The Rolling Stones were in the process of laughing in the face of logic with an extraordinary, 150-minute celebration of their 50 peerless years.
This was the first of two 02 dates, with a second on Thursday, that have been widely pilloried in the British press for their exorbitant ticket prices. Jagger would soon acknowledge that discussion by looking to the top tiers of the arena and asking "How you doing up in the cheap seats? They're not that cheap though are they, that's the trouble."
For all the controversy, the fact is that you never hear anyone coming away from a Stones gig complaining that they didn't get value for money, and so it was again here. Eventually, that is. Despite some engaging guest performances including the much-reported reunions with former bandmates Bill Wyman and Mick Taylor, the core quartet didn't hit top speed until the show's second half. When they did, they were untouchable.
They were introduced by an irreverent film tribute featuring both "punters" and famous fans like Johnny Depp, Iggy Pop and Elton John, then by two files of black-clad drummers marching through the aisles. Augmented initially only by stalwart companions Chuck Leavell (keyboards) and Darryl Jones (bass), it was a delight to hear the Stones travelling back to their first first year of recording, 1963, to revive their second-ever single, "I Wanna Be Your Man." Dartford rhythm and blues was alive and well again.
Performing under a giant red lip, with a giant video screen behind them and a semi-circular walkway out front to stretch out on, they continued in '60s vein with "Get Off Of My Cloud," "It's All Over Now" and "Paint It Black."
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Vocalists Lisa Fischer and Bernard Fowler joined the line-up stage left, and before long Mary J. Blige was making the first of the evening's cameos to recreate Merry Clayton's soulful wail on "Gimme Shelter." If the overall performance was somewhat rough and ready, she and Jagger shared some impassioned vocal empathy.
Perhaps the most noticeable aspect of the opening exchanges was the role of Keith Richards, playing mainly rhythm as Ronnie Wood frowned in concentration at taking so many lead lines. That began to change on "All Down The Line," before their contemporary Jeff Beck came on for a full-throttle, first-ever performance of Don Nix's blues favorite previously recorded by Beck, "I'm Going Down." Suddenly the 02 was a sweaty R&B club.
Perhaps the most noticeable aspect of the opening exchanges was the role of Keith Richards, playing mainly rhythm as Ronnie Wood frowned in concentration at taking so many lead lines. That began to change on "All Down The Line," before their contemporary Jeff Beck came on for a full-throttle, first-ever performance of Don Nix's blues favorite previously recorded by Beck, "I'm Going Down." Suddenly the 02 was a sweaty R&B club.
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